Showing posts with label artisan. Show all posts
Showing posts with label artisan. Show all posts

Tuesday, June 5, 2012

Exceptional American Artisans

Each year since 1989, a contest is held to determine the very best works in a variety of categories for Fine American Craft.  An industry magazine, Niche, hosts the awards each year, selecting a panel of judges from within the field to work through the many applications they receive to choose the very top in each category.  The goal is to celebrate excellence and innovation in American and Canadian Fine Craft.

Over 1000 applications are received each year, with only 38 winners chosen - one for each of 38 categories.  Truly, this is the best of the best our country has to offer.

Since this only happens within the retail industry, most of you don't even know such a thing exists, or get a chance to see the amazing work being created by artists right here in our own backyard.  I am blown away every year by the beautiful pieces selected by artists who have mastered their medium so much that they are expanding our idea of what can be done within it.

I thought I'd share some of my favorites with you this year, as well as the link to see all the winners.  Be sure to let me know which one(s) are YOUR favorites!

by Peter Muller and Joe Peters
This piece amazingly combines blown glass with flame-work glass.  First the vessel is handblown and then, following the cooling cycle, cut, polished and acid etched to create a weathered, sea glass finish.  At that point the flameworked sculpture is created to fit within the lines of each piece.  Look closely to see bees hard at work in their beehive.  Created by the artistic team of Peter Muller and Joe Peters and their Furnace & Flame company.


"Brindille" by Felix LaPierre


In the wood furniture category, Canadian artist Felix LaPierre won for this amazing table/bench that uses branches to hold up one end.  The beauty of the wood comes through in spectacular style, yet the group of branches cut flush with the surface, and cascading gradually down to finally touch the ground is beautifully done and very innovative.


Necklace by Lisa Hawthorne


Metalsmith and enamelist Lisa Hawthorne won two awards this year: one for this necklace, and another for a brooch.  I loved the detail and intricacy of this necklace.  She told me it is made of enamel on fine silver with 24k cloisonné.  The enamel is given a matte finish.  It's set in a 22k gold bezel, and the rest of the piece is combo of oxidized sterling and 22k gold, along w/gemstones.  What a show-stopper it is!


Be sure to check out all the other award-winners, and then let us know what stood out for you.  We are excited to hear!

Jeff and Manya















Monday, April 16, 2012

It's a Wonderful Mystery: Birgit Moenig's Silk Scarves


Birgit Moenig has been sharing her love of painting on silk for over 25 years. What she loves even more than painting on silk is meeting women who feel happier because they are wearing one of her scarves. And that's what it all comes down to: bringing as much happiness as possible, through the beauty a silk scarf can bring to a person and her world.

A happy customer, wearing her
new Birgit scarf
Hailing from Germany originally, Birgit was exposed to silk painting very early. Many German housewives know how to paint on silk, so it was a common, everyday thing to do. Initially, she just picked up some silk, opened some dye, and put it on the silk as she had seen so many others do so effortlessly. She applied her artist eye to it as well, and got inspiration from other artist friends also applying dye to silk. “It's an on-going learning process even today,” she exclaims. “I still talk to my artist friends, and we are always trying new things to see what works best.”

Before painting on silk, Birgit had tried watercolor on paper, “but it didn't take,” she says. Acrylic on canvas was better, and in fact she painted and sold miniature folk paintings at the Pike Place Market when she and her husband first arrived in the States in 1980. But dyeing silk was what she really loved to do. “Designing something and staying inside the lines isn't very fun,” she says. “So I developed my silk dyeing to avoid that. It's a more abstract approach with colors overlapping and flowing together.”
Using a brush to "paint" the dye
onto the white silk
People are drawn to the beautiful colors Birgit uses on her scarves. At Manya Vee Selects, we love to watch people have their eye drawn to our scarf rack and its colorful array of her scarves. They can't resist walking over and touching them! Birgit finds the color choices and blending to be a constant challenge. “It's a wonderful mystery. When it's all done, that's when you know whether it worked or not.”    

Multi-colored scarf by Birgit
The technique is what causes the challenge. A non-toxic, water-based liquid dye is applied to dry, white silk. Colors are always more intense when they are wet, so controlling the strength of each hue is difficult. In addition, not as many colors are available as before, so that means more blending is required to achieve a full palette with lots of variety. In the end, Birgit confesses that her color choices are very intuitive. Of course, I have a feeling her 25 years of experience helps guide the intuition to get her beautiful results.

Birgit's scarf rack at Manya Vee Selects
Birgit works with her husband, Dieter, closely these days. This teamwork began when he lost all contracts for his own business after 9/11. He had been making high-tech satellites for ships. That left him with a lot of time on his hands. One piece of equipment he used in his business is a water-jet, which can cut cleanly through metals. He designed some 3-D ornaments made out of Boeing surplus aluminum, each one cut with that water jet. They were very successful. More designs followed based on customer requests.

Next, customers began asking for 3-D earrings. This required much smaller pieces, and thus more precision in cutting. His huge machine wasn't made for such detail. Upon discovering it would cost $28,000 to re-tool it, he gave up for a while. But the requests kept coming, so he figured out a way to re-tool it himself, costing only $2,000. He graduated the metal to titanium since aluminum has such a low perceived value, and grew his own customer base with this new product.

Three notKnot styles
A scarf woven into a
notKnot

The next product he invented ties Dieter's and Birgit's respective products together very closely – the notKnot! Based on a concept floating around in Birgit's head, each notKnot is cut out with the water jet using thick stainless steel. It allows a person a great deal of flexibility in how to wear the scarves, by weaving them in and out of the openings, making the scarf a bit more like a piece of jewelry.

Now, in addition to showing her scarves at Manya Vee Selects in Edmonds, they tour the country together doing art fairs and selling their wares together, finding new fans at each new show they do. Birgit loves returning to a place and meeting customers for a second, third and fourth time. It gives her great joy to hear how much the women enjoy wearing her scarves. It is an extra special day when someone sends her a card or email letting her know how much they love wearing her scarves.

Birgit and Dieter at an art show
We're in our 12th year now at Manya Vee Selects, and Birgit is one of just a few artists whose work we've carried since the beginning.  Her scarves find passionate new wearers almost daily. We love passing along those stories to Birgit from our own customers, who simply can't resist that scarf rack and end up buying one, then two, then another for a gift, and so on. Go ahead and write your story here in the comments about your Birgit scarves, so we can share it with her too.

And of course, make your own pilgrimage to The Scarf Rack, and see for yourself how happy and beautiful a new Birgit scarf can make you feel!

See you soon,

Manya

P.S.  Here are links to previous blogs that show some scarf-tying methods.



April 16, 2012


















Tuesday, May 4, 2010

Watching artists grow - part 1

One of the greatest joys of my life is watching artists grow and develop.  First of all, it's quite difficult to become an artist.  It's one of the most difficult things a person can do.  (Check out this earlier blog for another example)  So watching it happen is sort of like watching a miracle.

Case in point - Emily Hickman.  I first met Emily when she contacted me for an Art Business Consultation.  She'd been honing her metalsmithing skills for several years, and wanted to learn how to get her work into more shops and galleries.  She had four "lines" at that time.  For the uninitiated, a "line" is a group of pieces that work together based on similarities.  Emily's four lines were 1. sea creatures, 2. items featuring a cats eye shell, 3. simple shapes brightly colored with enamel on copper, and 4. hammered silver pieces.  All were quite different from each other.  Each would have to be marketed separately to a different clientele all together - which makes producing marketing materials rather expensive, and typically drives an artist to distraction trying to keep it all together under one roof in her head.

Narrowing the scope was imperative.  But bodies of work were already created in each category, and it seemed so wasteful to just give up without trying.  So we crafted a temporary plan to market the other liens, while turning all her creative energy to the hammered silver line.  And thus, Hammering Woman was born.

Interesting things happen when an artist focuses on one area.  I hear artists all the time balking about this because they feel it limits their creativity.  But an unexpected thing happens by imposing this limitation: the creativity within that limitation expands exponentially.  Secondly, by focusing on this area, the skill level increases dramatically.  Thus, the confidence to create ever-increasingly challenging work grows.  Thus the line grows because (confidence in technical skill) + (time spent creating new work) = increased creativity.

So Emily has been sending me photos of her newest pieces, and they are simply stunning.  Her earlier pieces in the Hammering Woman line were characterized by classic shapes (rectangles, teardrops, circles) with slightly organic edges.  The simple shapes and lines are very popular, and among our best-sellers at Manya Vee Selects.  The newest pieces still retain the classic shapes, but have a new elegance to them - a refined quality that is quite breathtaking.  She's even experimenting with incorporating bits of 18-karat gold with the sterling, such as a little gold ball on the surface of a silver earring, or an amazing stone bezel set in 18-karat gold.

So keep it up, Emily!  Now we are all watching to see how you grow!

Manya

www.ManyaVeeSelects.com
Manya@manyaveeselects.com